To tell stories that can speak to a number of people is what drew me to movies in the first place.

One of the latest projects I’m proud of is a commercial I shot for Chanel.

As a director, I'm very fascinated by human nature and the human condition.

When I am shooting, I feel my methodology is in many ways the same as when I am gaffing: finding the right balance.

The most recent project I have written and directed is The Remaining Ones, which won awards at the Beverly Hills Film Festival and the Nordic International Film Festival in the United States. It is a project I’m particularly proud of.

I started out doing theatre and commercials, and in 2019 I was cast as one of the leads in the Amanda-nominated feature film Den siste våren (Sister What Grows Where Land is Sick) by Fransicka Eliassen.

It's about making the audience feel something before they fully understand it, and leaving them with questions rather than clear answers.

For me, it all starts with sharing the same vision as the director and the rest of the crew.

The most important thing for me as a director is emotional honesty.

Last year, I finished a trilogy of music videos for Honningbarna that together make up the short film “The Social Aspect”.